BAD LIKE HIM... a sci-fi/augmented-reality TV series, coming soon. TEASER CREDITS: Director/DP - David Mahmoudieh Producers - George Lako, Scott Myers, Vinnie Mattei, David Mahmoudieh Editor/Colorist - Brandon Ruiz Wardrobe - Susanna Song Steadicam Operator - Erdem Ertal Drone Operator - Roger Artola Soundie - Orlando Rashid STARRING: George Lako Scott Myers Eric Anderson Jake Sharp Onrico Nightingale Maura Mitchell Spencer Morgan Original Song "BAD LIKE HIM" written & performed by Maura Mitchell. www.BadLikeHim.com

Starring - Davina Leone, Andrew Callahan Writer/Director - David Mahmoudieh Producer - Vinnie Mattei, David Mahmoudieh Cinematographer - Graham Futerfas Costume Designer - Susanna Song Hair/Make-Up Artist - Kim Greene Production Designer - Brandy Maasch Gaffer - Brandon Alperin, Brandon Flohr Key Grip - Tomoaki Iwakura Colorist/VFX Artist - Brandon Ruiz

From the Kendrick Brothers, the award-winning creators of Fireproof and Courageous, comes a powerful new film that will inspire moviegoers to start fighting their battles the right way-through prayer. WAR ROOM, in theaters August 28. http://warroomthemovie.com/

www.dirtdogstvseries.com #whatisdirtdogs Produced by AWE (www.alphawolves.tv) Directed by David Mahmoudieh

The inspiring and unique story of seven-year-old Jesus Christ and his family as they come to a fuller understanding of His divine nature and purpose. https://www.facebook.com/TheYoungMessiahMovie https://twitter.com/youngmessiahMOV

From Nathan Coltrane, Director of Photography on the “Jack Fall” test shoots. “The purpose of these test shoots was for Brandon (the editor/colorist) and I to get an idea of how we wanted to approach the overall look of the film. I believe it’s important for the director, DP, the editor and the colorist to all be and the same page from day 1. I wanted to really give a look to this world that brought out the feel of a dry & desolate location. The location itself has a lot of browns and yellows so we decided to build our color palette off of those tones. The camera we used was a 5DMKII. I love working with the 5D. I think it’s a great camera and has a lot to offer for a low budget film. However, because of the nature of DSLR filmmaking you really have to plan ahead on how you’re going to shoot things. Generally when you shoot your raw footage, you want to give as much latitude as possible so we shot on a low saturation profile. Knowing that we eventually wanted push everything towards more of a “golden” look, I upped the white balance to 6300K vs something more along the lines of 5900K where it would typically be shot. This is important because with the compression that comes with DSLR cameras, you’re limited to how far you can push things in post... so you have to walk a fine line between shooting a flat/neutral profile, and shooting for a final look. For the most part, we shot on either a 35mm or 85mm lens, with a few mixtures of other lenses in there, but I really feel the 35 and 85 give great cinematic feels in their own perspective ways. The 35 is a great lens for giving a personal, “in the moment” feel. It really draws you into the scene and makes you feel like you’re right there. The 85 has kind of an opposite effect. The 85 is really great for drawing your attention in on details. Depending on how it’s used, you can also separate the audience from the subject or bring the audience right in on the subject. As far as technical specs, I almost always try to shoot at a 180 degree shutter angle. Because we were shooting at 23.97 frames per second, I set the shutter to 1/47 second. This is just another aspect you can use to your advantage on DSLR’s to draw out the cinematic look.” Featuring: KC Guyer Carl Hickerson Cecily Crow Amanda Vasconcellos Hannah L. Wilson Director: Michael Devin Greenman DP: Nathan Coltrane Editor: Brandon Ruiz Sound: Aaron Eklove Hair/Makeup: Whitney Crittenden Wardrobe: Katie Jackson AC: Chris Buchal

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